THE RENO
THE RENO
A collaborative project with the Reno regulars, a group of Mancunians who used to hang out at the Mosside club in their youth. After a series of interviews and discussions with the regulars, these are some plots from our final shoot interpreting their experience at the 70s club.
A collaborative project with the Reno regulars, a group of Mancunians who used to hang out at the Mosside club in their youth. After a series of interviews and discussions with the regulars, these are some plots from our final shoot interpreting their experience at the 70s club.
THE RENO
A collaborative project with the Reno regulars, a group of Mancunians who used to hang out at the Mosside club in their youth. After a series of interviews and discussions with the regulars, these are some plots from our final shoot interpreting their experience at the 70s club.
FILTH
THE RENO
CURIOUSLY CURIOUS
THE RENO
THE RENO
I was on the direction team for our second year fashion show 'Curiously Curious'. My role was creative direction and set design. Loosely based on the Mad Hatter's tea party in Alice in Wonderland, this show was an exhibition of the second year Fashion Design students garments at Manchester School of Art.
A collaborative project with the Reno regulars, a group of Mancunians who used to hang out at the Mosside club in their youth. After a series of interviews and discussions with the regulars, these are some plots from our final shoot interpreting their experience at the 70s club.
A collaborative project with the Reno regulars, a group of Mancunians who used to hang out at the Mosside club in their youth. After a series of interviews and discussions with the regulars, these are some plots from our final shoot interpreting their experience at the 70s club.
A project exploring British youth culture, taking photographs with pinhole camera's that I hand made from items I found on nights out in Manchester. I thought it would be a nice idea to create new memories with old memories. I spent a lot of time in the darkroom for this project, making different lenses for my pinhole camera from a variety of objects and testing for hours. The results were mostly obsqure, perfectly embodying the alcahol induced haze these objects were abandoned in. The styling was inspired by interesting charaters I saw around Manchester, created with mundane objects. The final images are displayed next to the object they were shot with. Directed, styled & shot by me.
A collaborative project with the Reno regulars, a group of Mancunians who used to hang out at the Mosside club in their youth. After a series of interviews and discussions with the regulars, these are some plots from our final shoot interpreting their experience at the 70s club. Shot & directed by me.
I was on the direction team for our second year fashion show 'Curiously Curious'. My role was creative direction and set design. Loosely based on the Mad Hatter's tea party in Alice in Wonderland, this show was an exhibition of the second year Fashion Design students garments at Manchester School of Art.
THE RENO
A collaborative project with the Reno regulars, a group of Mancunians who used to hang out at the Mosside club in their youth. After a series of interviews and discussions with the regulars, these are some plots from our final shoot interpreting their experience at the 70s club. Shot & directed by me.
IT'S TOASTED!
“It’s Toasted” is a shoot I did in my first year of university exploring mass consumerism and advertising in the 1920’s. It is named after a misleading catch line for the famous cigarette brand Lucky Strike, advocating that smoking their cigarettes was good for you . The shoot centred around a quote I found in ‘The modelling of the female form in fashion’ by Patricia Brattig, addressing how the cut of Western clothing hinders and underscores our movement, which I found highly ironic. The freedom associated with the 1920’s was do with the era’s drastic change in style, yet the clothing that was liberating them was restrictive my nature – people weren’t as free as they believed they were, especially due to false advertising and mass consumerism schemes convincing them they needed certain products to be the strong and free people they longed to be. I reinterpreted clothing and make up of the period, draping the models in lavish clothing and layers of jewels but in a really exaggerated fashion to highlight the extravagant, excessive lifestyles of society at the time. Shot, styled & directed by me.
RESEARCH
COLLABORATORS
Modelled by Fleur Moller, Sukey Williams, Luke Mcintosh & Sam
Make Up by Amelia Gerring